{"id":70864,"date":"2026-09-25T16:45:08","date_gmt":"2026-09-25T14:45:08","guid":{"rendered":"https:\/\/www.luigi-bevilacqua.com\/?p=70864"},"modified":"2026-09-25T17:40:47","modified_gmt":"2026-09-25T15:40:47","slug":"watermark-glasstress","status":"publish","type":"post","link":"https:\/\/www.luigi-bevilacqua.com\/en\/watermark-glasstress\/","title":{"rendered":"Watermark: The Bevilacqua Mark at Glasstress"},"content":{"rendered":"

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Through November 22, 2026<\/strong>, Glasstress<\/strong> is bringing new creative energy to Venice, across Palazzo Ca\u2019 Tron<\/strong> on the Grand Canal and the Berengo Art Space Foundation<\/strong> in Murano<\/strong>. More than sixty international artists, including Marina Abramovi\u0107, Sean Scully, Tony Cragg, and Ai Weiwei, have been invited to engage with the art of glassmaking through collaborations with the master glassmakers of Berengo Studio<\/strong>. Among them is David Eley<\/strong>, whose Watermark<\/strong> project intertwines his glass portraits with the history of the Tessitura Luigi Bevilacqua<\/strong>.<\/p>\n

Watermark: When Glass Captures the Light of Venice<\/h2>\n

Conceived by British artist and craftsman David Eley, Watermark<\/strong> was created at the invitation of Adriano Berengo<\/strong>, founder of Berengo Studio<\/strong>, the Murano workshop where contemporary artists and master glassmakers work together to bring new ideas and artistic languages to life in glass.<\/p>\n

[\/et_pb_text][et_pb_code _builder_version=”4.27.6″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_code][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.27.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.27.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2026\/09\/Watermark-Nose-2.jpg” alt=”Cuscini in velluto Giardino Antico | Tessitura Bevilacqua” title_text=”Watermark Nose 2″ show_in_lightbox=”on” admin_label=”Immagine” _builder_version=”4.27.6″ _module_preset=”default” max_width=”400px” module_alignment=”center” locked=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.27.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2026\/09\/Watermark-Nose.jpg” alt=”Cuscini in velluto Giardino Antico | Tessitura Bevilacqua” title_text=”Watermark Nose” show_in_lightbox=”on” admin_label=”Immagine” _builder_version=”4.27.6″ _module_preset=”default” max_width=”400px” module_alignment=”center” locked=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”intro+par 1″ _builder_version=”4.27.6″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

It was here that Eley created the sculptural portraits for Watermark: noses belonging to figures who, in Eley\u2019s vision, tell the story of contemporary Venice through their work and personal histories<\/strong>, embodying the spirit of the city. Made from Murano glass, these noses capture something inherently fleeting: the changing light of the lagoon, the ephemeral quality of a moment, and the visual essence of Venice. In casting these portraits in glass, Eley has found a way to capture the transient and translucent in solid form<\/strong>, in his words, to \u201cmake the ephemeral immortal.\u201d<\/em><\/p>\n

Leoni Velvet, Between Silk and Glass<\/h2>\n

Among the figures selected for this first suite of Venetian nose portraits, alongside Arrigo Cipriani and Adriano Berengo himself, are Rodolfo and Alberto Bevilacqua<\/strong>, respectively president and CEO of Tessitura Luigi Bevilacqua.<\/p>\n

Their profiles thus become part of a singular map of Venice: not a map of its calli and small squares, but one of the people who, through their work, have shaped and continue to shape the city\u2019s history.<\/p>\n

[\/et_pb_text][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2026\/09\/Watermark-Rodolfo-Bevilacqua-Nose.jpg” alt=”Cuscino in velluto capri colore giada | Tessitura Bevilacqua” title_text=”Watermark Rodolfo Bevilacqua Nose” show_in_lightbox=”on” admin_label=”Immagine” _builder_version=”4.27.6″ _module_preset=”default” max_width=”400px” module_alignment=”center” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”off|off|off” admin_label=”didascalia” _builder_version=”4.27.6″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”400px” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n

David Eley and Rodolfo Bevilacqua<\/p>\n

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Each nose in the series rests on a base that preserves Bevilacqua\u2019s textile heritage: impressed into the material is the design of Leoni silk velvet<\/a>, the ancient motif featuring two Byzantine lions protecting the Tree of Life, a design that has long been associated with the history of the Tessitura and has also become its symbol.<\/p>\n

[\/et_pb_text][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2023\/05\/091-3273-Velluto-soprarizzo-leoni-blu.jpg” alt=”091-3273 Velluto soprarizzo leoni blu” title_text=”091-3273 Velluto soprarizzo leoni blu” show_in_lightbox=”on” admin_label=”Immagine” _builder_version=”4.27.6″ _module_preset=”default” max_width=”500px” module_alignment=”center” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”off|off|off” admin_label=”didascalia” _builder_version=”4.27.6″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”500px” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n

Leoni Handwoven Soprarizzo Velvet, Blue<\/p>\n

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To capture its texture, Eley turned to photogrammetry in collaboration with Pangolin Editions<\/strong>. The texture of the velvet, digitally recorded down to its smallest raised details, was transformed into a three-dimensional mold and then rendered in two materials: dark green glass, cast in Murano at Berengo Studio, and bronze, lost-wax cast at the Pangolin Bronze Foundry<\/strong> in England.<\/p>\n

This is a dialogue Eley has been pursuing for some time. In Bevilacqua\u2019s history, he recognizes a thread that runs through and connects centuries of Venetian history. And in this encounter between silk velvet, glass, and bronze<\/strong>, he found a way to bring into his work the same meticulous attention to detail, respect for tradition, and use of the finest materials that he admires in the atelier.<\/p>\n

[\/et_pb_text][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2026\/09\/Watermark-Arrigo-Cipriani.jpg” alt=”Cuscino in velluto capri colore giada | Tessitura Bevilacqua” title_text=”Watermark Arrigo Cipriani” show_in_lightbox=”on” admin_label=”Immagine” _builder_version=”4.27.6″ _module_preset=”default” max_width=”400px” module_alignment=”center” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”intro+par 1″ _builder_version=”4.27.6″ _module_preset=”default” locked=”off” global_colors_info=”{}”]<\/p>\n

The Nose as a Reflection of Excellence<\/h2>\n

Throughout history and literature, the nose has often been more than a physical feature: the absurd protagonist of Gogol\u2019s story, later adapted by Shostakovich into an opera, it has for centuries been associated with character, wit, and discernment<\/strong>. This tradition gave rise to the expression \u201cto have a good nose<\/strong>,\u201d referring to the instinct that allows us to recognize what is authentic and excellent. It is the principle behind A Good Nose<\/em><\/strong>, the name Eley gives to his exploration of the nose: not simply a feature of the face, but a metaphor for the instinct that allows us to recognize quality, character, and excellence<\/strong>.<\/p>\n

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Projects by D. Eley \u2013 \u201cA Good Nose\u201d Image Gallery<\/p>\n

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It is precisely this criterion that guided Eley in selecting the subjects for Watermark: people who, through their work, have contributed to making Venice unique<\/strong>. In Bevilacqua, the artist recognized a fully realized expression of this idea: an atelier that, among the threads of its nineteenth-century handlooms, preserves the same attention to materials, the same respect for tradition, and the same pursuit of the highest quality that, for Eley, define Venetian excellence<\/strong>.<\/p>\n

Watermark at Glasstress<\/h2>\n

Glasstress<\/strong> <\/a>2026<\/a>, <\/strong>which features David Eley\u2019s Watermark installation,<\/span><\/strong>can be visited from July 12 through November 22 at Palazzo Ca\u2019 Tron on the Grand Canal and the Berengo Art Space Foundation in Murano.<\/p>\n

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Cover photo: Tobias Kempe<\/pre>\n
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Glass noses, Venetian figures and Leoni velvet: discover David Eley\u2019s Watermark and its connection with Tessitura Luigi Bevilacqua.<\/p>\n","protected":false},"author":10,"featured_media":70803,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"
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Fino al 22 novembre 2026, Glasstress<\/strong> porta nuova energia creativa a Venezia, tra Palazzo Ca' Tron<\/strong> sul Canal Grande e la Fondazione Berengo Art Space<\/strong> a Murano<\/strong>. Pi\u00f9 di sessanta artisti internazionali, tra cui Marina Abramovi\u0107, Sean Scully, Tony Cragg e Ai Weiwei, sono stati invitati a confrontarsi con l'arte vetraria attraverso la collaborazione con i maestri di Berengo Studio.<\/strong>\u00a0Tra loro, anche David Eley<\/strong>, il cui progetto Watermark<\/strong> intreccia i propri ritratti in vetro con la storia della Tessitura Luigi Bevilacqua<\/strong>.<\/p>
Watermark: quando il vetro cattura la luce di Venezia<\/h2>
Ideato dall'artista britannico David Eley, scultore di formazione artigiana, il progetto Watermark <\/strong>nasce su invito di Adriano Berengo<\/strong>, fondatore di Berengo Studio<\/strong>, il laboratorio muranese dove artisti contemporanei e maestri vetrai lavorano insieme per dare forma in vetro a nuove idee e linguaggi.<\/p>
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\u00c8 qui che Eley ha creato i ritratti scultorei di Watermark: nasi di figure che, per Eley, raccontano la Venezia contemporanea attraverso il proprio lavoro e la propria storia<\/strong>, incarnando lo spirito della citt\u00e0. Realizzati in vetro di Murano, questi nasi sospendono nella materia qualcosa che normalmente sfugge: il tempo, la luce lagunare, la memoria di un volto.<\/p>
Il velluto Leoni, tra seta e vetro<\/h2>
Tra le personalit\u00e0 scelte per questa prima serie, accanto a Arrigo Cipriani e allo stesso Adriano Berengo, figurano anche Rodolfo e Alberto Bevilacqua<\/strong>, rispettivamente presidente e amministratore delegato della Tessitura Luigi Bevilacqua.<\/p>
I loro profili diventano cos\u00ec parte di una singolare mappa di Venezia: non quella delle calli e dei campielli, ma quella delle persone che, con il proprio lavoro, ne hanno costruito e continuano a costruirne la storia.<\/p>
[\/et_pb_text][et_pb_image src=\"https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2026\/09\/Watermark-Rodolfo-Bevilacqua-Nose.jpg\" alt=\"Cuscino in velluto capri colore giada | Tessitura Bevilacqua\" title_text=\"Watermark Rodolfo Bevilacqua Nose\" show_in_lightbox=\"on\" admin_label=\"Immagine\" _builder_version=\"4.27.6\" _module_preset=\"default\" max_width=\"400px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"][\/et_pb_image][et_pb_text disabled_on=\"off|off|off\" admin_label=\"didascalia\" _builder_version=\"4.27.6\" text_font=\"||on||\" text_font_size=\"12\" background_color=\"rgba(218,221,221,0.52)\" text_orientation=\"center\" max_width=\"400px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"]<\/p>
David Eley e Rodolfo Bevilacqua<\/p>
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Ogni naso della serie riposa su una base che custodisce la memoria tessile della Bevilacqua: impresso nella materia \u00e8 il disegno del velluto Leoni<\/a>, l\u2019antico motivo con due leoni bizantini che proteggono l'Albero della Vita, da sempre legato alla storia della Tessitura e divenuto anche suo simbolo.<\/p>
[\/et_pb_text][et_pb_image src=\"https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2023\/05\/091-3273-Velluto-soprarizzo-leoni-blu.jpg\" alt=\"091-3273 Velluto soprarizzo leoni blu\" title_text=\"091-3273 Velluto soprarizzo leoni blu\" show_in_lightbox=\"on\" admin_label=\"Immagine\" _builder_version=\"4.27.6\" _module_preset=\"default\" max_width=\"500px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"][\/et_pb_image][et_pb_text disabled_on=\"off|off|off\" admin_label=\"didascalia\" _builder_version=\"4.27.6\" text_font=\"||on||\" text_font_size=\"12\" background_color=\"rgba(218,221,221,0.52)\" text_orientation=\"center\" max_width=\"500px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"]<\/p>
Velluto a mano soprarizzo Leoni, Blu<\/p>
[\/et_pb_text][et_pb_text admin_label=\"intro+par 1\" _builder_version=\"4.27.6\" _module_preset=\"default\" locked=\"off\" global_colors_info=\"{}\"]<\/p>
Per catturarne la trama, Eley si \u00e8 affidato alla fotogrammetria, in collaborazione con Pangolin Editions<\/strong>. La texture del velluto, colta digitalmente nei suoi minimi rilievi, ha preso corpo in un calco tridimensionale, poi tradotto in due materie: il vetro verde scuro, colato a Murano presso Berengo Studio, e il bronzo, fuso a cera persa nella fonderia Pangolin<\/strong>, in Inghilterra.<\/p>
\u00c8 un dialogo che Eley porta avanti da tempo: nella storia di Bevilacqua riconosce un filo che attraversa e unisce secoli di storia veneziana, e in questo incontro tra seta, vetro e bronzo<\/strong> ha trovato un modo per restituire nell'opera la stessa cura per il dettaglio che ammira nell'atelier.<\/p>
[\/et_pb_text][et_pb_image src=\"https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2026\/09\/Watermark-Arrigo-Cipriani.jpg\" alt=\"Cuscino in velluto capri colore giada | Tessitura Bevilacqua\" title_text=\"Watermark Arrigo Cipriani\" show_in_lightbox=\"on\" admin_label=\"Immagine\" _builder_version=\"4.27.6\" _module_preset=\"default\" max_width=\"400px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"][\/et_pb_image][et_pb_text admin_label=\"intro+par 1\" _builder_version=\"4.27.6\" _module_preset=\"default\" hover_enabled=\"0\" locked=\"off\" global_colors_info=\"{}\" sticky_enabled=\"0\"]<\/p>
Il naso, specchio d'eccellenza<\/h2>
Nella storia e nella letteratura, il naso \u00e8 stato spesso pi\u00f9 di un tratto fisico: assurdo protagonista nel racconto di Gogol', ripreso poi da \u0160ostakovi\u010d in un'opera lirica, ha definito nei secoli carattere, arguzia, discernimento<\/strong>. Da questa tradizione nasce l'espressione \"avere buon naso<\/strong>\", l'istinto che permette di riconoscere ci\u00f2 che \u00e8 autentico ed eccellente, principio alla base di A Good Nose<\/em><\/strong>, il nome con cui Eley identifica la propria ricerca sul naso: non soltanto un tratto del volto, ma una metafora dell'istinto che permette di riconoscere qualit\u00e0, carattere ed eccellenza<\/strong>.<\/p>
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Progetti nell'ambito di \"A Good Nose\" di D. Eley - Galleria di immagini<\/p>
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\u00c8 proprio questo il criterio che ha guidato Eley nella scelta dei soggetti di Watermark: persone che, con il proprio lavoro, hanno contribuito a rendere Venezia unica<\/strong>. In Bevilacqua, l'artista ha riconosciuto un'espressione compiuta di questa idea, un atelier che, tra i fili dei suoi telai a mano ottocenteschi, custodisce la stessa attenzione alla materia, lo stesso rispetto della tradizione e la stessa ricerca della qualit\u00e0 pi\u00f9 alta che, per Eley, definiscono l'eccellenza veneziana<\/strong>.<\/p>
Appuntamento a Glasstress<\/h2>
Glasstress<\/a> 2026 \u00e8 visitabile dal 12 luglio al 22 novembre tra Palazzo Ca' Tron, sul Canal Grande, e la Fondazione Berengo Art Space a Murano. L'installazione Watermark di David Eley, che include i ritratti in vetro di Rodolfo e Alberto Bevilacqua su una base con motivo di Leoni Bizantini, \u00e8 parte del percorso espositivo muranese.<\/p>
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Cover photo: Tobias Kempe  <\/pre>
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