[et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.5″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]<\/p>\n
Opened on May 5, 2026, at the Fondazione Querini Stampalia<\/a> in Venice, The Dreamer<\/em> <\/strong>unfolds like a waking dream. An exhibition in which the visitor does not simply observe, but is traversed by light, sound, fragrance, and the living materiality of textiles that envelop the rooms, transforming space into a layered and total experience.<\/p>\n The Dreamer<\/em><\/strong> takes shape as a true time machine: a perceptual device that organizes time through space and space through the movement of the body.<\/p>\n The exhibition path develops like a cinematic montage, openly inspired by Luchino Visconti<\/strong>‘s film Senso<\/em><\/strong>. Each room acts as an autonomous yet interconnected sequence, where artworks call to one another, mirror one another, and continually transform through mutual exchange. The visitor is never still, but is instead compelled to negotiate distance and proximity, immersion and detachment, constructing their own gaze in motion.<\/p>\n [\/et_pb_text][et_pb_gallery gallery_ids=”69288,69320,69324,69316″ fullwidth=”on” _builder_version=”4.27.5″ _module_preset=”default” max_width=”500px” module_alignment=”center” global_colors_info=”{}”][\/et_pb_gallery][et_pb_text disabled_on=”off|off|off” admin_label=”didascalia” _builder_version=”4.27.5″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”500px” module_alignment=”center” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n The Art of Dreaming, The Portrait, Steel Poetry \u2013 Image Gallery, Ph Adriano Mura<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.5″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n There is no linear chronology, but rather an emotional and layered progression intertwining more than 170 works<\/strong> from the historic collection, from Giovanni Bellini<\/strong> to Pietro Longhi<\/strong>, with the visions of six contemporary artists: Emanuele Becheri, Chiara Bettazzi, Giusy Calia, Daniela De Lorenzo, Silvia Giambrone, Davide Rivalta<\/strong>. The thematic nuclei, ranging from the \u201cart of dreaming\u201d as responsibility and vision, to portraiture as an inquiry into identity, and further into the passions, gestures, and obsessions of the Querini family, converge in a narrative composed of apparitions, echoes, and recurring signs.<\/p>\n [\/et_pb_text][et_pb_gallery gallery_ids=”69292,69312,69328,69296″ fullwidth=”on” _builder_version=”4.27.5″ _module_preset=”default” max_width=”500px” module_alignment=”center” locked=”off” global_colors_info=”{}”][\/et_pb_gallery][et_pb_text disabled_on=”off|off|off” admin_label=”didascalia” _builder_version=”4.27.5″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”500px” module_alignment=”center” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n Time, Fiction, Silence \u2013 Image Gallery, Ph Adriano Mura<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.5″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]<\/p>\n All of this unfolds within the frame of a 16th-century Venetian palace<\/strong>, where every room gestures toward something beyond itself: space never fully concludes, but continues in the memory of the previous room and in anticipation of the next. As visitors move through the environment, they compose a kind of spatial writing in which what is visible remains in constant dialogue with what lies outside the frame. It is here that a profound experience of seeing and dreaming emerges, one destined to persist long after the visit itself.<\/p>\n [\/et_pb_text][et_pb_gallery gallery_ids=”69336,69332,69344,69340,69348,69352″ fullwidth=”on” _builder_version=”4.27.5″ _module_preset=”default” max_width=”500px” module_alignment=”center” locked=”off” global_colors_info=”{}”][\/et_pb_gallery][et_pb_text disabled_on=”off|off|off” admin_label=”didascalia” _builder_version=”4.27.5″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”500px” module_alignment=”center” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n Care, Memory, War, Governance \u2013 Image Gallery, Ph Adriano Mura<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.5″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]<\/p>\n Within this theater of the imagination, our textiles are not merely decorative elements: they are silent yet powerful interlocutors, essential components in the construction of the experience, shaping atmosphere, depth, and rhythm.<\/p>\n The Serto<\/em> and Giardino<\/em> brocatelles<\/strong> evoke worlds that feel at once distant and familiar. Serto<\/em>, inspired by 16th-century Turkish decorative motifs, traces a lattice of diamonds and stylized flowers across the weave: an ancient dialogue between East and West that Venice has always embraced with extraordinary naturalness. The Giardino brocatelle<\/a>, by contrast, celebrates 18th-century sumptuousness: overflowing vases of flowers, acanthus leaves framing each motif, an ornamental richness that speaks of palaces, ceremonies, and beauty experienced as necessity.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.27.5″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2022\/05\/Broccatello-Serto-rosso-106-34355.jpg” title_text=”Broccatello Serto rosso 106-34355″ show_in_lightbox=”on” align=”center” disabled_on=”off|off|off” _builder_version=”4.27.5″ _module_preset=”default” max_width=”500px” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”off|off|off” admin_label=”didascalia” _builder_version=”4.27.5″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”500px” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n Serto Brocatelle – Red<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2022\/05\/Broccatello-Serto-turchese-antico-103-34355.jpg” title_text=”Broccatello Serto turchese antico 103-34355″ show_in_lightbox=”on” align=”center” disabled_on=”off|off|off” _builder_version=”4.27.5″ _module_preset=”default” max_width=”500px” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”off|off|off” admin_label=”didascalia” _builder_version=”4.27.5″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”500px” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n Serto Brocatelle – Antique Turquoise<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2022\/05\/Broccatello-Serto-rosso-antico-107-34355.jpg” title_text=”Broccatello Serto rosso antico 107-34355″ show_in_lightbox=”on” align=”center” disabled_on=”off|off|off” _builder_version=”4.27.5″ _module_preset=”default” max_width=”500px” module_alignment=”center” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”off|off|off” admin_label=”didascalia” _builder_version=”4.27.5″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”500px” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n Serto Brocatelle – Antique Red<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=”off|off|off” _builder_version=”4.27.5″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2026\/05\/Broccatello-Giardino-Antico-105-34248.jpg” title_text=”Broccatello Giardino Antico 105-34248″ show_in_lightbox=”on” align=”center” disabled_on=”off|off|off” _builder_version=”4.27.5″ _module_preset=”default” max_width=”500px” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”off|off|off” admin_label=”didascalia” _builder_version=”4.27.5″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”500px” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n Giardino Antico Brocatelle\u00a0<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.5″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]<\/p>\n The Svezia<\/em> and Three Crowns<\/em> lampas fabrics<\/strong> introduce a different and unexpected sensibility. Svezia lampas<\/a> unfurls curved lines of stems and flowers infused with strong Art Nouveau influences; Three Crowns lampas<\/a> bears the signature of the Swedish artist Maja Sj\u00f6str\u00f6m, who designed it in the early twentieth century with a distinctly Nordic refinement. An improbable dialogue between the lagoon and the North, made possible through the universal vocation of our weaving factory.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ disabled_on=”off|off|off” _builder_version=”4.27.5″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2022\/05\/Lampasso-Svezia-blu-099-3380.jpg” title_text=”Lampasso Svezia blu 099-3380″ show_in_lightbox=”on” align=”center” disabled_on=”off|off|off” _builder_version=”4.27.5″ _module_preset=”default” max_width=”500px” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”off|off|off” admin_label=”didascalia” _builder_version=”4.27.5″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”500px” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n Svezia Lampas – Blue<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2022\/05\/Lampasso-Svezia-perla-avorio-036-3380.jpg” title_text=”Lampasso Svezia perla avorio 036-3380″ show_in_lightbox=”on” align=”center” disabled_on=”off|off|off” _builder_version=”4.27.5″ _module_preset=”default” max_width=”500px” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”off|off|off” admin_label=”didascalia” _builder_version=”4.27.5″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”500px” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n Svezia Lampas – Ivory Pearl<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=”off|off|off” _builder_version=”4.27.5″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2026\/04\/Lampasso-Three-Crowns-giada-098-3334.jpg” title_text=”Lampasso Three Crowns giada 098-3334″ show_in_lightbox=”on” align=”center” disabled_on=”off|off|off” _builder_version=”4.27.5″ _module_preset=”default” max_width=”450px” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”off|off|off” admin_label=”didascalia” _builder_version=”4.27.5″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”450px” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n Three Crowns Lampas – Jade<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.5″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]<\/p>\n Finally, the Taccheggiato<\/em> and Sforza<\/em> velvets<\/strong> bring forth the material depth that defines our tradition. Velvet was born in Venice during the 14th century, when the Serenissima transformed the secrets of Eastern textiles into an art form entirely its own, one that we continue to preserve today. Taccheggiato velvet<\/a>, with its discontinuous surface and deliberately imperfect allure, and Sforza velvet, which evokes Renaissance latticework with echoes of the Orient, complete a textile narrative that traverses six centuries without ever exhausting itself.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ disabled_on=”off|off|off” _builder_version=”4.27.5″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2022\/05\/Velluto-Bacchetta-Taccheggiato.jpg” title_text=”Velluto Bacchetta Taccheggiato” show_in_lightbox=”on” align=”center” disabled_on=”off|off|off” _builder_version=”4.27.5″ _module_preset=”default” max_width=”450px” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”off|off|off” admin_label=”didascalia” _builder_version=”4.27.5″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”450px” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n Taccheggiato Velvet<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2026\/05\/Velluto-Sforza.jpg” title_text=”Velluto Sforza” show_in_lightbox=”on” align=”center” disabled_on=”off|off|off” _builder_version=”4.27.5″ _module_preset=”default” max_width=”450px” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”off|off|off” admin_label=”didascalia” _builder_version=”4.27.5″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”450px” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n Sforza Velvet<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.5″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n The Dreamer<\/em><\/strong>, the visionary to whom the exhibition is dedicated, is Giovanni Querini Stampalia<\/strong>, the last heir of one of the most illustrious families of the Venetian Republic. A man of science, an omnivorous reader, and an enlightened entrepreneur, he rejected all forms of worldliness to devote himself entirely to study and research.<\/p>\n Visionary and profoundly modern, he transformed his dream into a concrete gesture. Upon his death in 1869, he bequeathed his entire family estate to the community<\/strong>: the palace, the collections, and a library open to everyone until midnight. A radical act against inaccessible knowledge, transforming private possession into collective heritage.<\/p>\n <\/p>\n The Dreamer<\/em> – Fondazione Querini Stampalia<\/strong><\/p>\n Santa Maria Formosa<\/p>\n Castello 5252, 30122 Venice<\/p>\n T. +39 041 2711411<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_gallery gallery_ids=”69356,69360,69300,69304,69308″ fullwidth=”on” _builder_version=”4.27.5″ _module_preset=”default” max_width=”500px” module_alignment=”center” locked=”off” global_colors_info=”{}”][\/et_pb_gallery][et_pb_text disabled_on=”off|off|off” admin_label=”didascalia” _builder_version=”4.27.5″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”500px” module_alignment=”center” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n Politics, Intimacy, Life, The Fleet, Motherhood \u2013 Image Gallery, Ph Adriano Mura<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=”off|off|off” _builder_version=”4.27.4″ locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Photo credit: ” _builder_version=”4.27.5″ locked=”off” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n<\/span>","protected":false},"excerpt":{"rendered":" The Dreamer at Querini Stampalia Foundation: art, Bevilacqua textiles and sensory design in an immersive Venice experience.<\/p>\n","protected":false},"author":10,"featured_media":69281,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":" [et_pb_section fb_built=\"1\" _builder_version=\"4.16\" global_colors_info=\"{}\"][et_pb_row _builder_version=\"4.16\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"4.27.5\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" hover_enabled=\"0\" global_colors_info=\"{}\" sticky_enabled=\"0\"]<\/p> Inaugurata il 5 maggio 2026 alla Fondazione Querini Stampalia<\/a>, The Dreamer<\/strong> \u00e8 un sogno ad occhi aperti. Una mostra in cui il visitatore non osserva, ma viene attraversato dalla luce, dal suono, dal profumo, e dalla materia viva dei tessuti che avvolgono gli ambienti, trasformando lo spazio in un'esperienza totale e stratificata.<\/p> The Dreamer <\/strong>si configura come una vera e propria macchina temporale: un dispositivo percettivo che organizza il tempo attraverso lo spazio e lo spazio attraverso il movimento del corpo.<\/p> Il percorso si sviluppa come un montaggio cinematografico, ispirandosi apertamente al film Senso<\/em> di Luchino Visconti<\/strong>. Ogni sala \u00e8 una sequenza autonoma ma interconnessa, dove le opere si richiamano, si riflettono, si trasformano reciprocamente. Il visitatore non \u00e8 mai fermo: \u00e8 chiamato a negoziare continuamente distanza e prossimit\u00e0, immersione e distacco, costruendo il proprio sguardo.<\/p> [\/et_pb_text][et_pb_gallery gallery_ids=\"69287,69319,69323,69315\" fullwidth=\"on\" _builder_version=\"4.27.5\" _module_preset=\"default\" max_width=\"500px\" module_alignment=\"center\" global_colors_info=\"{}\"][\/et_pb_gallery][et_pb_text disabled_on=\"off|off|off\" admin_label=\"didascalia\" _builder_version=\"4.27.5\" text_font=\"||on||\" text_font_size=\"12\" background_color=\"rgba(218,221,221,0.52)\" text_orientation=\"center\" max_width=\"500px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"]<\/p> Saper Sognare, Il Ritratto, Poesia d'Acciaio - Galleria di immagini<\/p> [\/et_pb_text][et_pb_text _builder_version=\"4.27.5\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" global_colors_info=\"{}\"]<\/p> Non esiste una cronologia lineare, ma un andamento emotivo e stratificato che intreccia oltre 170 opere<\/strong> della collezione storica, da Giovanni Bellini<\/strong> a Pietro Longhi<\/strong>, con le visioni di sei artisti contemporanei<\/strong>. I nuclei tematici, dal \u201csaper sognare\u201d come responsabilit\u00e0 e visione, al ritratto come indagine dell\u2019identit\u00e0, fino alle passioni, ai gesti e alle ossessioni della famiglia Querini, si intrecciano in una narrazione fatta di apparizioni e rimandi.<\/p> [\/et_pb_text][et_pb_gallery gallery_ids=\"69291,69311,69327,69295\" fullwidth=\"on\" _builder_version=\"4.27.5\" _module_preset=\"default\" max_width=\"500px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"][\/et_pb_gallery][et_pb_text disabled_on=\"off|off|off\" admin_label=\"didascalia\" _builder_version=\"4.27.5\" text_font=\"||on||\" text_font_size=\"12\" background_color=\"rgba(218,221,221,0.52)\" text_orientation=\"center\" max_width=\"500px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"]<\/p> Il Tempo, La Finzione, Il Silenzio\u00a0 - Galleria di immagini<\/p> [\/et_pb_text][et_pb_text _builder_version=\"4.27.5\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" global_colors_info=\"{}\"]<\/p> Il tutto dentro la cornice di un palazzo veneziano del Cinquecento<\/strong>, dove ogni ambiente allude a qualcosa che va oltre s\u00e9 stesso: lo spazio non si esaurisce mai, ma continua nella memoria della sala precedente e nell\u2019attesa di quella successiva. Camminando, il visitatore compone una sorta di scrittura spaziale, dove ci\u00f2 che \u00e8 visibile dialoga costantemente con ci\u00f2 che resta fuori campo. \u00c8 qui che prende forma un\u2019esperienza profonda del vedere e del sognare, destinata a persistere anche oltre la visita.<\/p> [\/et_pb_text][et_pb_gallery gallery_ids=\"69335,69331,69343,69339,69347,69351\" fullwidth=\"on\" _builder_version=\"4.27.5\" _module_preset=\"default\" max_width=\"500px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"][\/et_pb_gallery][et_pb_text disabled_on=\"off|off|off\" admin_label=\"didascalia\" _builder_version=\"4.27.5\" text_font=\"||on||\" text_font_size=\"12\" background_color=\"rgba(218,221,221,0.52)\" text_orientation=\"center\" max_width=\"500px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"]<\/p> La Cura, La Memoria, La Guerra, Il Governo - Galleria di immagini<\/p> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\"4.16\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"4.27.5\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" hover_enabled=\"0\" global_colors_info=\"{}\" sticky_enabled=\"0\"]<\/p> In questo teatro dell'immaginario, i nostri tessuti non sono semplici elementi decorativi: sono interlocutori silenziosi e potenti, elementi essenziali nella costruzione dell\u2019esperienza, contribuendo a definire atmosfere, profondit\u00e0 e ritmo.<\/p> I broccatelli Serto e Giardino<\/strong> evocano mondi lontani eppure familiari. Il Serto, ispirato alle decorazioni turche del XVI secolo, disegna nell'ordito un reticolo di rombi e fiori stilizzati, un dialogo antico tra Oriente e Occidente che Venezia ha sempre saputo fare proprio con straordinaria naturalezza. Il broccatello Giardino<\/a> celebra invece la sontuosit\u00e0 settecentesca: vasi traboccanti di fiori, foglie d'acanto che incorniciano ogni motivo, una ricchezza ornamentale che parla di palazzi, di cerimonie, di bellezza vissuta come necessit\u00e0.<\/p> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_3,1_3,1_3\" disabled_on=\"off|off|off\" _builder_version=\"4.27.5\" _module_preset=\"default\" locked=\"off\" global_colors_info=\"{}\"][et_pb_column type=\"1_3\" _builder_version=\"4.16\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_image src=\"https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2022\/05\/Broccatello-Serto-rosso-106-34355.jpg\" title_text=\"Broccatello Serto rosso 106-34355\" show_in_lightbox=\"on\" align=\"center\" disabled_on=\"off|off|off\" _builder_version=\"4.27.5\" _module_preset=\"default\" max_width=\"500px\" module_alignment=\"center\" global_colors_info=\"{}\"][\/et_pb_image][et_pb_text disabled_on=\"off|off|off\" admin_label=\"didascalia\" _builder_version=\"4.27.5\" text_font=\"||on||\" text_font_size=\"12\" background_color=\"rgba(218,221,221,0.52)\" text_orientation=\"center\" max_width=\"500px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"]<\/p> Broccatello Serto - Rosso<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_3\" _builder_version=\"4.16\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_image src=\"https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2022\/05\/Broccatello-Serto-turchese-antico-103-34355.jpg\" title_text=\"Broccatello Serto turchese antico 103-34355\" show_in_lightbox=\"on\" align=\"center\" disabled_on=\"off|off|off\" _builder_version=\"4.27.5\" _module_preset=\"default\" max_width=\"500px\" module_alignment=\"center\" global_colors_info=\"{}\"][\/et_pb_image][et_pb_text disabled_on=\"off|off|off\" admin_label=\"didascalia\" _builder_version=\"4.27.5\" text_font=\"||on||\" text_font_size=\"12\" background_color=\"rgba(218,221,221,0.52)\" text_orientation=\"center\" max_width=\"500px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"]<\/p> Broccatello Serto - Turchese antico<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_3\" _builder_version=\"4.16\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_image src=\"https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2022\/05\/Broccatello-Serto-rosso-antico-107-34355.jpg\" title_text=\"Broccatello Serto rosso antico 107-34355\" show_in_lightbox=\"on\" align=\"center\" disabled_on=\"off|off|off\" _builder_version=\"4.27.5\" _module_preset=\"default\" max_width=\"500px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"][\/et_pb_image][et_pb_text disabled_on=\"off|off|off\" admin_label=\"didascalia\" _builder_version=\"4.27.5\" text_font=\"||on||\" text_font_size=\"12\" background_color=\"rgba(218,221,221,0.52)\" text_orientation=\"center\" max_width=\"500px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"]<\/p> Broccatello Serto - Rosso antico<\/p> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=\"off|off|off\" _builder_version=\"4.27.5\" _module_preset=\"default\" locked=\"off\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.16\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_image src=\"https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2026\/05\/Broccatello-Giardino-Antico-105-34248.jpg\" title_text=\"Broccatello Giardino Antico 105-34248\" show_in_lightbox=\"on\" align=\"center\" disabled_on=\"off|off|off\" _builder_version=\"4.27.5\" _module_preset=\"default\" max_width=\"500px\" module_alignment=\"center\" global_colors_info=\"{}\"][\/et_pb_image][et_pb_text disabled_on=\"off|off|off\" admin_label=\"didascalia\" _builder_version=\"4.27.5\" text_font=\"||on||\" text_font_size=\"12\" background_color=\"rgba(218,221,221,0.52)\" text_orientation=\"center\" max_width=\"500px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"]<\/p> Broccatello Giardino Antico<\/p> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\"4.16\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"4.27.5\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" global_colors_info=\"{}\"]<\/p> I lampassi Svezia e Three Crowns<\/strong> introducono una sensibilit\u00e0 diversa e inaspettata. Il lampasso Svezia<\/a> dispiega linee curve di steli e fiori con forti influenze Liberty; il lampasso Three Crowns<\/a> porta la firma dell'artista svedese Maja Sj\u00f6str\u00f6m, che lo disegn\u00f2 nei primi del Novecento con una raffinatezza tutta nordica. Un dialogo improbabile tra la laguna e il Nord, reso possibile dalla vocazione universale della nostra Tessitura.<\/p> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_2,1_2\" disabled_on=\"off|off|off\" _builder_version=\"4.27.5\" _module_preset=\"default\" locked=\"off\" global_colors_info=\"{}\"][et_pb_column type=\"1_2\" _builder_version=\"4.16\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_image src=\"https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2022\/05\/Lampasso-Svezia-blu-099-3380.jpg\" title_text=\"Lampasso Svezia blu 099-3380\" show_in_lightbox=\"on\" align=\"center\" disabled_on=\"off|off|off\" _builder_version=\"4.27.5\" _module_preset=\"default\" max_width=\"500px\" module_alignment=\"center\" global_colors_info=\"{}\"][\/et_pb_image][et_pb_text disabled_on=\"off|off|off\" admin_label=\"didascalia\" _builder_version=\"4.27.5\" text_font=\"||on||\" text_font_size=\"12\" background_color=\"rgba(218,221,221,0.52)\" text_orientation=\"center\" max_width=\"500px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"]<\/p> Lampasso Svezia - Blu<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_image src=\"https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2022\/05\/Lampasso-Svezia-perla-avorio-036-3380.jpg\" title_text=\"Lampasso Svezia perla avorio 036-3380\" show_in_lightbox=\"on\" align=\"center\" disabled_on=\"off|off|off\" _builder_version=\"4.27.5\" _module_preset=\"default\" max_width=\"500px\" module_alignment=\"center\" global_colors_info=\"{}\"][\/et_pb_image][et_pb_text disabled_on=\"off|off|off\" admin_label=\"didascalia\" _builder_version=\"4.27.5\" text_font=\"||on||\" text_font_size=\"12\" background_color=\"rgba(218,221,221,0.52)\" text_orientation=\"center\" max_width=\"500px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"]<\/p> Lampasso Svezia - Perla avorio<\/p> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=\"off|off|off\" _builder_version=\"4.27.5\" _module_preset=\"default\" locked=\"off\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.16\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_image src=\"https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2026\/04\/Lampasso-Three-Crowns-giada-098-3334.jpg\" title_text=\"Lampasso Three Crowns giada 098-3334\" show_in_lightbox=\"on\" align=\"center\" disabled_on=\"off|off|off\" _builder_version=\"4.27.5\" _module_preset=\"default\" max_width=\"450px\" module_alignment=\"center\" global_colors_info=\"{}\"][\/et_pb_image][et_pb_text disabled_on=\"off|off|off\" admin_label=\"didascalia\" _builder_version=\"4.27.5\" text_font=\"||on||\" text_font_size=\"12\" background_color=\"rgba(218,221,221,0.52)\" text_orientation=\"center\" max_width=\"450px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"]<\/p> Lampasso Three Crowns - Giada<\/p> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\"4.16\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"4.27.5\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" global_colors_info=\"{}\"]<\/p>The Exhibition Journey at Palazzo Querini Stampalia<\/h2>\n
Bevilacqua Textiles in Dialogue with the Exhibition<\/h2>\n
Giovanni Querini: The Dream Made Real<\/h2>\n
Photo Credits: Adriano Mura\nCourtesy: Fondazione Querini Stampalia, Venice<\/pre>\n
Il percorso espositivo a Palazzo Querini Stampalia<\/h2>
I tessuti Bevilacqua nell'architettura sensoriale de The Dreamer<\/h2>