[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n
Our story is deeply rooted in the heart of Venice, woven from threads, skilled hands, and visions that have been passed down from generation to generation. This year, we proudly celebrate the 150th anniversary of the founding of Tessitura Luigi Bevilacqua<\/strong>, paying tribute to the visionary pioneers of an adventure that has brought the beauty of Venetian fabrics<\/a> to the world.<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n It all began in 1875, when Luigi Bevilacqua<\/strong>, heir to a long Venetian tradition of master weavers, decided to found his own company. Our first headquarters were located in the Castello district, at Fondamenta San Lorenzo 5074<\/strong>, where Luigi, together with his partner Giovanni Battista Gianoglio<\/strong>, took over the looms from the Bistort company, an old weaving factory. From those hand-operated looms, steeped in centuries of tradition, the first Bevilacqua fabrics came to life<\/a>.<\/p>\n Unfortunately, a fire destroyed part of the archive and forced the company to move, but it did not extinguish the determination to continue. The new headquarters were found in the prestigious Palazzo Labia<\/strong>, in Campo San Geremia<\/strong>, where we moved in 1892. It was a symbolic location, one of the most beautiful buildings in the city, overlooking the Ponte delle Guglie, along a route loved by Venetians and visitors on their way to St. Mark\u2019s Square. Around that same time, we opened a store in San Bartolomeo 5550<\/strong>, strengthening the connection between our production and the commercial life of Venice.<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n In 1895, with Gianoglio’s retirement, the company passed entirely into Luigi Bevilacqua\u2019s hands. From that moment on, our weaving mill took on the character of a true family business<\/strong>, where skills and passion were intertwined like the threads on our looms.<\/p>\n By 1897, Luigi\u2019s sons had taken on key roles within the company: Vincenzo<\/strong>, the eldest, oversaw administration; Antonio<\/strong> directed the workshop and the artistic side of production; and Angelo<\/strong> handled public relations, bringing our fabrics beyond the borders of Venice.<\/p>\n Even then, our production was extensive and refined, including soprarizzo velvets, gold, silver, and silk fabrics, brocades, lampas, damasks, trimmings, and liturgical vestments<\/strong>. This is further evidenced by an advertising flyer still preserved today at our headquarters in Santa Croce, dated between 1892 and 1895, when we were still at Palazzo Labia. This document not only describes what we produced, but also conveys the founders\u2019 experience and reveals how, less than twenty years after its inception, the weaving mill was already renowned for the quality and variety of its products.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2016\/01\/Diploma-produzione-seta-Bevilacqua.jpg” show_in_lightbox=”on” align=”center” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Image” _builder_version=”4.27.4″ max_width=”500px” animation_style=”slide” animation_direction=”left” animation_duration=”500ms” animation_intensity_slide=”10%” use_border_color=”off” border_color=”#ffffff” border_style=”solid” animation=”left” sticky=”off” always_center_on_mobile=”on” global_colors_info=”{}”] [\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” hover_enabled=”0″ use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n In 1905, our factory finally found its permanent home in the Santa Croce district<\/strong>, where our looms still stand today. The building took on its current appearance in 1919, when Angelo Bevilacqua<\/strong> purchased and renovated it.<\/p>\n Meanwhile, our family grew, and with it, the horizons of the company expanded. Cesare Bevilacqua<\/strong>, the youngest of Luigi’s sons and grandfather of the current owners, joined the company in the early 1900s. His marriage to Swedish countess Glenny Charlotte von Redlick<\/strong> in 1908 opened up new markets in Northern Europe. Thanks to her and collaborations with artists such as painter Maja Sj\u00f6str\u00f6m<\/a> and architect Carl G. Bergsten<\/strong>, our velvets were chosen to decorate prestigious venues such as the Hall of the Three Crowns in Stockholm City Hall<\/strong> and the Gothenburg City Theater<\/a>.<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2023\/11\/bar_thalia_velluto-Deco1.jpg” title_text=”bar_thalia_velluto Deco(1)” show_in_lightbox=”on” align=”center” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Image” _builder_version=”4.27.4″ max_width=”600px” animation_style=”slide” animation_direction=”left” animation_duration=”500ms” animation_intensity_slide=”10%” use_border_color=”off” border_color=”#ffffff” border_style=”solid” animation=”left” sticky=”off” always_center_on_mobile=”on” global_colors_info=”{}”] [\/et_pb_image][et_pb_text admin_label=”didascalia” _builder_version=”4.27.4″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”600px” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n Soprarizzo Deco in the Gothenburg City Theater<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”Row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2021\/05\/Three_Crowns_800x493.jpg” alt=”Sala Tre Corone Municipio Stoccolma” title_text=”Sala Tre Corone Municipio Stoccolma” show_in_lightbox=”on” align=”center” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Image” _builder_version=”4.27.4″ max_width=”600px” module_alignment=”center” animation_style=”slide” animation_direction=”left” animation_duration=”500ms” animation_intensity_slide=”10%” use_border_color=”off” border_color=”#ffffff” border_style=”solid” animation=”left” sticky=”off” always_center_on_mobile=”on” global_colors_info=”{}”] [\/et_pb_image][et_pb_text admin_label=”didascalia” _builder_version=”4.27.4″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”600px” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n Angeli Brocade, Designed by Maja Sj\u00f6strom, in Stockholm City Hall<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2025\/10\/Broccato-Angeli-Maja-Sjostrom-dettaglio.webp” alt=”Sala Tre Corone Municipio Stoccolma” title_text=”Broccato Angeli Maja Sjostrom dettaglio” show_in_lightbox=”on” align=”center” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Image” _builder_version=”4.27.4″ max_width=”600px” module_alignment=”center” animation_style=”slide” animation_direction=”left” animation_duration=”500ms” animation_intensity_slide=”10%” use_border_color=”off” border_color=”#ffffff” border_style=”solid” animation=”left” sticky=”off” always_center_on_mobile=”on” global_colors_info=”{}”] [\/et_pb_image][et_pb_text admin_label=”didascalia” _builder_version=”4.27.4″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”600px” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n Angeli Brocade, Designed by Maja Sj\u00f6strom – Detail (1920-1925)<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n During these years, our weaving mill established itself as a center of excellence, renowned not only for its craftsmanship but also for its ability to combine tradition and artistic innovation. This is also demonstrated by the title of Papal Supplier<\/strong>, which our company has held since at least 1953, and the visits of cardinals, patriarchs, including the future Pope Cardinal Roncalli<\/strong>, and royal guests, including Queen Silvia of Sweden<\/strong>, who graced our workshop with their presence.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”Row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2025\/10\/Giulio-Bevilacqua-con-la-Regina-Silvia-di-Svezia-1991.webp” alt=”Sala Tre Corone Municipio Stoccolma” title_text=”Giulio Bevilacqua con la Regina Silvia di Svezia 1991″ show_in_lightbox=”on” align=”center” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Image” _builder_version=”4.27.4″ max_width=”600px” module_alignment=”center” animation_style=”slide” animation_direction=”left” animation_duration=”500ms” animation_intensity_slide=”10%” use_border_color=”off” border_color=”#ffffff” border_style=”solid” animation=”left” sticky=”off” always_center_on_mobile=”on” global_colors_info=”{}”] [\/et_pb_image][et_pb_text admin_label=”didascalia” _builder_version=”4.27.4″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”600px” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n Giulio Bevilacqua With Queen Silvia of Svezia (1991)<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2025\/10\/Cardinale-Roncalli-Cesare-Bevilacqua-Tessitrici-1957-Velluto-Colonne.webp” alt=”Sala Tre Corone Municipio Stoccolma” title_text=”Cardinale Roncalli Cesare Bevilacqua Tessitrici 1957 – Velluto Colonne” show_in_lightbox=”on” align=”center” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Image” _builder_version=”4.27.4″ max_width=”600px” module_alignment=”center” animation_style=”slide” animation_direction=”left” animation_duration=”500ms” animation_intensity_slide=”10%” use_border_color=”off” border_color=”#ffffff” border_style=”solid” animation=”left” sticky=”off” always_center_on_mobile=”on” global_colors_info=”{}”] [\/et_pb_image][et_pb_text admin_label=”didascalia” _builder_version=”4.27.4″ text_font=”||on||” text_font_size=”12″ background_color=”rgba(218,221,221,0.52)” text_orientation=”center” max_width=”600px” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n Cesare Bevilacqua With Cardinal Roncalli and the Wavers (1957)<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n Today, as we celebrate our 150th anniversary<\/strong>, we carefully preserve the memory of those early years and the people who made them possible. Our historical archive<\/a>, officially recognized as a collection of exceptional cultural interest, holds letters, drawings, registers, and photographs that recount a century and a half of Venetian textile art. It has recently undergone a major reorganization, allowing us to rediscover many details of our history, from production documents to correspondence with customers and artists from all over the world.<\/p>\n Today, as then, the Bevilacqua family<\/strong> continues to run the weaving company with the same spirit as their ancestors. Our purpose remains unchanged: to share with the world the beauty, refinement, and authenticity of Venetian fabrics<\/strong>, continuing to weave, thread by thread, a legacy spanning 150 years.<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2015\/10\/Apertura-photo-Filippo-Guerra-studio-Otium.-.jpeg” title_text=”Apertura-photo Filippo Guerra- studio Otium.” show_in_lightbox=”on” align=”center” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Image” _builder_version=”4.27.4″ max_width=”600px” animation_direction=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid” animation=”left” sticky=”off” always_center_on_mobile=”on” global_colors_info=”{}”] [\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n<\/span>","protected":false},"excerpt":{"rendered":" Who were the first silk makers at Tessitura Bevilacqua in Venice? We share the story of a legacy born 150 years ago.<\/p>\n","protected":false},"author":10,"featured_media":65721,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":" [et_pb_section fb_built=\"1\" admin_label=\"section\" _builder_version=\"4.16\" global_colors_info=\"{}\"][et_pb_row admin_label=\"row\" _builder_version=\"4.16\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_text admin_label=\"Text\" _builder_version=\"4.27.4\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" use_border_color=\"off\" border_color=\"#ffffff\" border_style=\"solid\" global_colors_info=\"{}\"]<\/p> La nostra storia affonda le radici nel cuore di Venezia, in un intreccio di fili, mani sapienti e visioni che si sono tramandate di generazione in generazione. Quest\u2019anno celebriamo con orgoglio i 150 anni dalla fondazione della Tessitura Luigi Bevilacqua<\/strong>, e con essi rendiamo omaggio ai primi protagonisti di un\u2019avventura che ha portato la bellezza dei tessuti veneziani<\/a> nel mondo.<\/p> [\/et_pb_text][et_pb_text admin_label=\"Text\" _builder_version=\"4.27.4\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" use_border_color=\"off\" border_color=\"#ffffff\" border_style=\"solid\" global_colors_info=\"{}\"]<\/p> Tutto ebbe inizio nel 1875, quando Luigi Bevilacqua<\/strong>, erede di una tradizione veneziana di maestri tessitori, decise di fondare la sua azienda. La nostra prima sede sorgeva nel sestiere di Castello, in Fondamenta San Lorenzo 5074<\/strong>, dove Luigi, insieme al socio Giovanni Battista Gianoglio<\/strong>, rilev\u00f2 i telai di una vecchia manifattura, la ditta Bistort. Da quei telai, mossi a mano e ricchi di storia, presero vita i primi tessuti firmati Bevilacqua<\/a>.<\/p> Un incendio distrusse purtroppo parte dell\u2019archivio e costrinse l\u2019azienda a spostarsi, ma non cancell\u00f2 la volont\u00e0 di proseguire. La nuova sede fu individuata nel prestigioso Palazzo Labia, in Campo San Geremia<\/strong>, dove ci trasferimmo nel 1892. Era un luogo simbolico: l\u2019edificio, tra i pi\u00f9 belli della citt\u00e0, si affacciava sul Ponte delle Guglie, lungo uno dei percorsi pi\u00f9 amati da veneziani e visitatori diretti a Piazza San Marco. In quello stesso periodo, aprivamo anche il nostro negozio a San Bartolomeo 5550<\/strong>, consolidando il legame fra la produzione e la vita commerciale della citt\u00e0.<\/p> [\/et_pb_text][et_pb_text admin_label=\"Text\" _builder_version=\"4.27.4\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" use_border_color=\"off\" border_color=\"#ffffff\" border_style=\"solid\" global_colors_info=\"{}\"]<\/p> Nel 1895, con il ritiro di Gianoglio, la ditta pass\u00f2 interamente nelle mani di Luigi Bevilacqua. Da quel momento la nostra tessitura assunse la fisionomia di una vera azienda familiare<\/strong>, dove competenze e passioni si intrecciavano come i fili dei nostri telai.<\/p> Nel 1897, i figli di Luigi assunsero ruoli chiave all\u2019interno dell\u2019impresa: Vincenzo<\/strong>, primogenito, curava l\u2019amministrazione interna; Antonio<\/strong> dirigeva lo stabilimento e la parte artistica della produzione; Angelo<\/strong> si occupava delle relazioni pubbliche, portando i nostri tessuti oltre i confini di Venezia.<\/p> Gi\u00e0 allora la produzione era ampia e raffinata: velluti soprarizzo, tessuti in oro, argento e seta, broccati, lampassi, damaschi, passamanerie e paramenti sacri<\/strong>. Lo testimonia anche un volantino pubblicitario conservato ancora oggi nella nostra sede di Santa Croce, datato agli anni tra il 1892 e il 1895, quando eravamo ancora a Palazzo Labia. Quel documento, racconta non solo cosa si produceva, ma anche l\u2019esperienza dei fondatori, e rivela come, a meno di vent\u2019anni dalla nascita, la tessitura fosse gi\u00e0 rinomata per la qualit\u00e0 e la variet\u00e0 delle sue creazioni.<\/p> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\"Row\" _builder_version=\"4.16\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_image src=\"http:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2016\/01\/Diploma-produzione-seta-Bevilacqua.jpg\" show_in_lightbox=\"on\" align=\"center\" align_tablet=\"center\" align_phone=\"center\" align_last_edited=\"on|desktop\" admin_label=\"Image\" _builder_version=\"4.27.4\" max_width=\"500px\" animation_style=\"slide\" animation_direction=\"left\" animation_duration=\"500ms\" animation_intensity_slide=\"10%\" use_border_color=\"off\" border_color=\"#ffffff\" border_style=\"solid\" animation=\"left\" sticky=\"off\" always_center_on_mobile=\"on\" global_colors_info=\"{}\"] [\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\"Row\" _builder_version=\"4.16\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_text admin_label=\"Text\" _builder_version=\"4.27.4\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" use_border_color=\"off\" border_color=\"#ffffff\" border_style=\"solid\" global_colors_info=\"{}\"]<\/p> Nel 1905 la fabbrica trov\u00f2 finalmente la sua sede definitiva nel sestiere di Santa Croce, 1313<\/strong>, dove ancora oggi si trovano i nostri telai. L\u2019edificio assunse l\u2019aspetto attuale nel 1919, quando Angelo Bevilacqua<\/strong> lo acquist\u00f2 e rinnov\u00f2.<\/p> Nel frattempo, la famiglia cresceva e con essa si ampliavano gli orizzonti dell\u2019azienda. Cesare Bevilacqua<\/strong>, il pi\u00f9 giovane dei figli di Luigi e nonno degli attuali proprietari, entr\u00f2 in ditta nei primi anni del Novecento. Il suo matrimonio con la contessa svedese Glenny Charlotte von Redlick<\/strong>, nel 1908, apr\u00ec nuovi mercati nel Nord Europa. Grazie a lei e alle collaborazioni con artisti come la pittrice Maja Sj\u00f6str\u00f6m<\/strong><\/a> e l\u2019architetto Carl G. Bergsten<\/strong>, i nostri velluti decorarono luoghi prestigiosi come il Salone delle Tre Corone del Municipio di Stoccolma<\/strong> e il Teatro Comunale di G\u00f6teborg<\/a><\/strong>.<\/p> [\/et_pb_text][et_pb_image src=\"https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2023\/11\/bar_thalia_velluto-Deco1.jpg\" title_text=\"bar_thalia_velluto Deco(1)\" show_in_lightbox=\"on\" align=\"center\" align_tablet=\"center\" align_phone=\"center\" align_last_edited=\"on|desktop\" admin_label=\"Image\" _builder_version=\"4.27.4\" max_width=\"600px\" animation_style=\"slide\" animation_direction=\"left\" animation_duration=\"500ms\" animation_intensity_slide=\"10%\" use_border_color=\"off\" border_color=\"#ffffff\" border_style=\"solid\" animation=\"left\" sticky=\"off\" always_center_on_mobile=\"on\" global_colors_info=\"{}\"] [\/et_pb_image][et_pb_text admin_label=\"didascalia\" _builder_version=\"4.27.4\" text_font=\"||on||\" text_font_size=\"12\" background_color=\"rgba(218,221,221,0.52)\" text_orientation=\"center\" max_width=\"600px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"]<\/p> Il soprarizzo Deco all'interno del Teatro Comunale di G\u00f6teborg<\/p> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_2,1_2\" admin_label=\"Row\" _builder_version=\"4.16\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" global_colors_info=\"{}\"][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_image src=\"https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2021\/05\/Three_Crowns_800x493.jpg\" alt=\"Sala Tre Corone Municipio Stoccolma\" title_text=\"Sala Tre Corone Municipio Stoccolma\" show_in_lightbox=\"on\" align=\"center\" align_tablet=\"center\" align_phone=\"center\" align_last_edited=\"on|desktop\" admin_label=\"Image\" _builder_version=\"4.27.4\" max_width=\"600px\" module_alignment=\"center\" animation_style=\"slide\" animation_direction=\"left\" animation_duration=\"500ms\" animation_intensity_slide=\"10%\" use_border_color=\"off\" border_color=\"#ffffff\" border_style=\"solid\" animation=\"left\" sticky=\"off\" always_center_on_mobile=\"on\" global_colors_info=\"{}\"] [\/et_pb_image][et_pb_text admin_label=\"didascalia\" _builder_version=\"4.27.4\" text_font=\"||on||\" text_font_size=\"12\" background_color=\"rgba(218,221,221,0.52)\" text_orientation=\"center\" max_width=\"600px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"]<\/p> Il broccato Angeli,\u00a0disegnato da Maja Sj\u00f6strom,\u00a0nel Municipio di Stoccolma<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_image src=\"https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2025\/10\/Broccato-Angeli-Maja-Sjostrom-dettaglio.webp\" alt=\"Sala Tre Corone Municipio Stoccolma\" title_text=\"Broccato Angeli Maja Sjostrom dettaglio\" show_in_lightbox=\"on\" align=\"center\" align_tablet=\"center\" align_phone=\"center\" align_last_edited=\"on|desktop\" admin_label=\"Image\" _builder_version=\"4.27.4\" max_width=\"600px\" module_alignment=\"center\" animation_style=\"slide\" animation_direction=\"left\" animation_duration=\"500ms\" animation_intensity_slide=\"10%\" use_border_color=\"off\" border_color=\"#ffffff\" border_style=\"solid\" animation=\"left\" sticky=\"off\" always_center_on_mobile=\"on\" global_colors_info=\"{}\"] [\/et_pb_image][et_pb_text admin_label=\"didascalia\" _builder_version=\"4.27.4\" text_font=\"||on||\" text_font_size=\"12\" background_color=\"rgba(218,221,221,0.52)\" text_orientation=\"center\" max_width=\"600px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"]<\/p> Dettaglio del broccato Angeli, disegnato da Maja Sj\u00f6strom (1920-1925)<\/p> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\"Row\" _builder_version=\"4.16\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_text admin_label=\"Text\" _builder_version=\"4.27.4\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" use_border_color=\"off\" border_color=\"#ffffff\" border_style=\"solid\" global_colors_info=\"{}\"]<\/p> In questi anni la tessitura si afferm\u00f2 come eccellenza riconosciuta non solo per la maestria artigianale, ma anche per la capacit\u00e0 di coniugare tradizione e innovazione artistica. Lo dimostra anche il titolo di Fornitore Pontificio<\/strong>, che la nostra azienda possiede almeno dal 1953, e le visite di cardinali, patriarchi tra cui il futuro papa Cardinale Roncalli<\/strong> e sovrani, tra cui la regina Silvia di Svezia<\/strong>, che onorarono la nostra azienda.<\/p> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_2,1_2\" admin_label=\"Row\" _builder_version=\"4.16\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" global_colors_info=\"{}\"][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_image src=\"https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2025\/10\/Giulio-Bevilacqua-con-la-Regina-Silvia-di-Svezia-1991.webp\" alt=\"Sala Tre Corone Municipio Stoccolma\" title_text=\"Giulio Bevilacqua con la Regina Silvia di Svezia 1991\" show_in_lightbox=\"on\" align=\"center\" align_tablet=\"center\" align_phone=\"center\" align_last_edited=\"on|desktop\" admin_label=\"Image\" _builder_version=\"4.27.4\" max_width=\"600px\" module_alignment=\"center\" animation_style=\"slide\" animation_direction=\"left\" animation_duration=\"500ms\" animation_intensity_slide=\"10%\" use_border_color=\"off\" border_color=\"#ffffff\" border_style=\"solid\" animation=\"left\" sticky=\"off\" always_center_on_mobile=\"on\" global_colors_info=\"{}\"] [\/et_pb_image][et_pb_text admin_label=\"didascalia\" _builder_version=\"4.27.4\" text_font=\"||on||\" text_font_size=\"12\" background_color=\"rgba(218,221,221,0.52)\" text_orientation=\"center\" max_width=\"600px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"]<\/p> Giulio Bevilacqua con la regina Silvia di Svezia (1991)<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_image src=\"https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2025\/10\/Cardinale-Roncalli-Cesare-Bevilacqua-Tessitrici-1957-Velluto-Colonne.webp\" alt=\"Sala Tre Corone Municipio Stoccolma\" title_text=\"Cardinale Roncalli Cesare Bevilacqua Tessitrici 1957 - Velluto Colonne\" show_in_lightbox=\"on\" align=\"center\" align_tablet=\"center\" align_phone=\"center\" align_last_edited=\"on|desktop\" admin_label=\"Image\" _builder_version=\"4.27.4\" max_width=\"600px\" module_alignment=\"center\" animation_style=\"slide\" animation_direction=\"left\" animation_duration=\"500ms\" animation_intensity_slide=\"10%\" use_border_color=\"off\" border_color=\"#ffffff\" border_style=\"solid\" animation=\"left\" sticky=\"off\" always_center_on_mobile=\"on\" global_colors_info=\"{}\"] [\/et_pb_image][et_pb_text admin_label=\"didascalia\" _builder_version=\"4.27.4\" text_font=\"||on||\" text_font_size=\"12\" background_color=\"rgba(218,221,221,0.52)\" text_orientation=\"center\" max_width=\"600px\" module_alignment=\"center\" locked=\"off\" global_colors_info=\"{}\"]<\/p> Cesare Bevilacqua con il cardinale Roncalli e le tessitrici (1957)<\/p> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\"Row\" _builder_version=\"4.16\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_text admin_label=\"Text\" _builder_version=\"4.27.4\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" use_border_color=\"off\" border_color=\"#ffffff\" border_style=\"solid\" global_colors_info=\"{}\"]<\/p> Oggi, mentre celebriamo il nostro 150\u00b0 anniversario<\/strong>, custodiamo con cura la memoria di quei primi anni e delle persone che li hanno resi possibili. Il nostro archivio storico<\/strong>, dichiarato di interesse particolarmente importante, conserva lettere, disegni, registri e fotografie che raccontano un secolo e mezzo di arte tessile veneziana. Recentemente \u00e8 stato oggetto di un importante lavoro di riordino, che ci ha permesso di riscoprire molti dettagli della nostra storia, dai documenti di produzione alle corrispondenze con clienti e artisti di tutto il mondo.<\/p> Oggi come allora, la famiglia Bevilacqua<\/strong> guida la tessitura con lo stesso spirito dei suoi antenati: portare nel mondo la bellezza, la raffinatezza e l\u2019autenticit\u00e0 dei tessuti veneziani<\/strong>, continuando a tessere, filo dopo filo, una storia che dura da 150 anni.<\/p> \u00a0<\/p> [\/et_pb_text][et_pb_image src=\"https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2015\/10\/Apertura-photo-Filippo-Guerra-studio-Otium.-.jpeg\" title_text=\"Apertura-photo Filippo Guerra- studio Otium.\" show_in_lightbox=\"on\" align=\"center\" align_tablet=\"center\" align_phone=\"center\" align_last_edited=\"on|desktop\" admin_label=\"Image\" _builder_version=\"4.27.4\" max_width=\"600px\" animation_direction=\"left\" hover_enabled=\"0\" use_border_color=\"off\" border_color=\"#ffffff\" border_style=\"solid\" animation=\"left\" sticky=\"off\" always_center_on_mobile=\"on\" global_colors_info=\"{}\" sticky_enabled=\"0\"] [\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[47,50,131],"class_list":["post-65703","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-history","tag-churches","tag-silk","tag-venice"],"yoast_head":"\nThe origins: Luigi Bevilacqua and the early years in Castello<\/h2>\n
The birth of a family business<\/h2>\n
The Santa Croce headquarters and opening up to the world<\/h2>\n
The living legacy of tradition<\/h2>\n
Le origini: Luigi Bevilacqua e i primi anni a Castello<\/h2>
La nascita di un\u2019impresa di famiglia<\/h2>
La sede di Santa Croce e l\u2019apertura al mondo<\/h2>
L\u2019eredit\u00e0 viva della tradizione<\/h2>