{"id":54163,"date":"2023-04-06T09:00:10","date_gmt":"2023-04-06T07:00:10","guid":{"rendered":"http:\/\/www.luigi-bevilacqua.com\/?p=54163"},"modified":"2023-04-06T09:31:35","modified_gmt":"2023-04-06T07:31:35","slug":"like-a-silk-worm-exhibition","status":"publish","type":"post","link":"https:\/\/www.luigi-bevilacqua.com\/en\/like-a-silk-worm-exhibition\/","title":{"rendered":"Like a silk worm that has to walk on the ground"},"content":{"rendered":"

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“Like a silk worm that has to walk on the ground” is an exhibition born out of a collaboration with Tessitura Luigi Bevilacqua that showcases new works by artist Matteo Valerio. We present it to you.<\/p>\n

The evocative qualities of textiles<\/h2>\n

The works created by Matteo Valerio arise from a personal interpretation of the ancient silk fabrics of our Tessitura and represent an ongoing dialogue between the history of Venetian painting and the art of weaving. This series of works amplifies the imagery of the city of Venice and the iconic textiles of the Tessitura Bevilacqua<\/a>, evoking dissonant elements, silences and superimpositions, casting sublime unconscious shadows.<\/p>\n

Precious textile scraps, dyed with natural colors such as cochineal, indigo, woad, weld and madder, were transformed into canvases through ancient techniques of embroidery and printing, creating intricately articulated compositions. The works reflect the history of pictorial and dye pigments, drawing from tracts collected from the 1727 biography “The Demons” by Alvisa Zambelli. This artwork explores the collision of the demonic and the sacred and the inner transformation from instability, darkness and disquiet to purification, illumination and comfort.<\/p>\n

The velvets, brocatelles, lampas and damasks of the Tessitura Bevilacqua are the bridge between the present and the history of the material, its provenance, and the production and mercantile systems associated with it. Textiles are also recognized for their ability to gather psychological, mysterious and dreamy decodings, especially when imagined on the skin of Venice in different eras.<\/p>\n

The exhibition also features two ceramic sculptures representing the inner vortex of emotions and aspirations. The sound of silkworms eating mulberry leaves is evoked by these sculptures and calls to mind the living processes behind the creation of textiles.<\/p>\n

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Artist Matteo Valerio<\/h2>\n

Matteo Valerio was born in Florida and trained at the Academy of Venice, then earned a Master of Fine Arts degree from Central Saint Martins. His work draws inspiration from a comparison between current reality and legends of the past, in an analysis of the tensions between the frenetic pace of contemporary production systems and the solidity of nature in its restorative potential. Exploring craft practices, he bases his artwork on understanding the evocative qualities embedded in a material, which becomes part of a larger narrative composed of textiles, processes, and prints.<\/p>\n

Other actors involved in the project<\/h2>\n

An important role in the realization of the project was played by two Venetian organizations, CREA and AIKU.<\/p>\n

CREA – Cantieri del Contemporaneo is an artistic and cultural project based on the island of Giudecca in Venice that seeks to create a link between traditional craftsmanship related to minor Venetian shipbuilding and the visual arts. The goal is to preserve the local and traditional reality of Venice through the creation of exhibitions by national and international artists.<\/p>\n

The enhancement of craftsmanship is also the characteristic expressed by Matteo Valerio through his artistic artifacts, which emphasize the sphere of savoir-faire and hand-making.<\/p>\n

The AIKU – Arte Impresa Cultura center at Ca’ Foscari University of Venice is concerned with analyzing and promoting the interaction between art, business, and culture, which is a significant part of today’s hybrid and interdisciplinary reality. Operating at the Ca’ Foscari University Foundation, AIKU represents the university’s commitment to the transmission of knowledge elaborated by the university and the gathering of the needs of productive realities.<\/p>\n

About the exhibition<\/h2>\n

Like a silk worm that has to walk on the ground – by Matteo Valerio<\/p>\n

Curated by Pier Paolo Scelsi and Sabrina Comin<\/p>\n

In collaboration with:<\/p>\n

Tessitura Luigi Bevilacqua, Venice<\/p>\n

CREA Cantieri del Contemporaneo, Venice<\/p>\n

Event presented as part of the PIC – Patrimonio Industriale Contemporaneo project.<\/p>\n

Promoted by the center Aiku – Arte Impresa Cultura of Ca’ Foscari University Venice<\/p>\n

 <\/p>\n

Location: “Spazio Legno & Legno” of CREA – Giudecca, 211 – Venice<\/p>\n

March 16 to April 16, 2023<\/p>\n

Hours: Fri Sat Sun 11 a.m.-6 p.m.<\/p>\n

Free entrance<\/p>\n

 <\/p>\n

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Foto di copertina: Basilica di Santa Maria Maggiore, Bergamo<\/pre>\n
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Discover the exhibition of new works by artist Matteo Valerio created in collaboration with Tessitura Luigi Bevilacqua.<\/p>\n","protected":false},"author":10,"featured_media":54013,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"
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\u201cLike a silk worm that has to walk on the ground\u201d \u00e8 una mostra nata dalla collaborazione con la Tessitura Luigi Bevilacqua ed espone dei lavori inediti dell'artista Matteo Valerio. Ve la presentiamo.<\/p>
Le qualit\u00e0 evocative dei tessuti<\/h2>
Le opere create da Matteo Valerio nascono da una personale interpretazione degli antichi tessuti serici della nostra Tessitura e rappresentano un dialogo continuo tra la storia della pittura veneziana e l\u2019arte della tessitura. Questa serie di opere amplifica l'immaginario della citt\u00e0 di Venezia e dei tessuti iconici della Tessitura Bevilacqua<\/a>, evocando elementi dissonanti, silenzi e sovrapposizioni, proiettando ombre sublimi inconsce.<\/p>
I preziosi ritagli tessili, tinti con colori naturali come cocciniglia, indaco, guado, reseda e robbia, sono stati trasformati in tele grazie a tecniche antiche di ricamo e stampa, creando composizioni intricatamente articolate. Le opere riflettono la storia dei pigmenti pittorici e tintoriali, attingendo da tratti raccolti dalla biografia del 1727 \u201cI demoni\u201d di Alvisa Zambelli. Questo lavoro artistico esplora la collisione tra il demoniaco e il sacrale e la trasformazione interiore dall\u2019instabilit\u00e0, oscurit\u00e0 e inquietudine alla purificazione, illuminazione e conforto.<\/p>
I velluti, i broccatelli, i lampassi e i damaschi della Tessitura Bevilacqua sono il ponte tra il presente e la storia del materiale, la provenienza, i sistemi produttivi e mercantili ad esso legati. Ai tessuti, inoltre, \u00e8 riconosciuta la capacit\u00e0 di raccogliere decodifiche psicologiche, misteriose e sognanti, soprattutto se immaginati nella pelle della Venezia nelle diverse epoche.<\/p>
La mostra presenta anche due sculture in ceramica che rappresentano il vortice interiore delle emozioni e delle aspirazioni. Il suono dei bachi da seta che mangiano le foglie di gelso viene evocato da queste sculture e richiama alla mente i processi vivi che sono alla base della creazione dei tessuti.<\/p>
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L\u2019artista Matteo Valerio<\/h2>
Matteo Valerio \u00e8 nato in Florida e si \u00e8 formato all'Accademia di Venezia, per poi conseguire un Master in Belle Arti presso la Central Saint Martins. Il suo lavoro trae ispirazione dal confronto tra la realt\u00e0 attuale e le leggende del passato, in un'analisi delle tensioni tra il ritmo frenetico dei sistemi produttivi contemporanei e la solidit\u00e0 della natura nel suo potenziale di riparazione. Esplorando le pratiche artigianali, basa il suo lavoro artistico sulla comprensione delle qualit\u00e0 evocative incorporate in un materiale, che diventa parte di una narrazione pi\u00f9 ampia composta da tessuti, processi e stampe.<\/p>
Gli altri attori coinvolti nel progetto<\/h2>
Un ruolo importante nella realizzazione del progetto \u00e8 stato rivestito da due realt\u00e0 veneziane: CREA e AIKU.<\/p>
CREA - Cantieri del Contemporaneo \u00e8 un progetto artistico e culturale con sede sull'isola della Giudecca a Venezia che cerca di creare un legame tra l'artigianato tradizionale legato alla cantieristica minore veneziana e le arti visive. L'obiettivo \u00e8 di preservare la realt\u00e0 locale e tradizionale di Venezia attraverso la realizzazione di mostre di artisti nazionali ed internazionali. La valorizzazione dell'artigianalit\u00e0 \u00e8 anche la caratteristica espressa da Matteo Valerio attraverso i suoi manufatti artistici, che mettono in risalto la sfera del saper fare e del creare con mano.<\/p>
Il centro AIKU - Arte Impresa Cultura dell'Universit\u00e0 Ca' Foscari di Venezia si occupa di analizzare e promuovere l'interazione tra arte, impresa e cultura, che rappresenta una parte significativa della realt\u00e0 ibrida e interdisciplinare di oggi. Operando presso la Fondazione dell'Universit\u00e0 Ca' Foscari, AIKU rappresenta l'impegno dell'ateneo nella trasmissione della conoscenza elaborata dall'universit\u00e0 e nella raccolta delle esigenze delle realt\u00e0 produttive.<\/p>
Informazioni sulla mostra\u00a0<\/strong><\/h2>
Like a silk worm that has to walk on the ground<\/strong> - di Matteo Valerio
A cura di Pier Paolo Scelsi e Sabrina Comin<\/p>
In collaborazione con:<\/p>
Tessitura Luigi Bevilacqua, Venezia
CREA Cantieri del Contemporaneo, Venezia<\/p>
Evento presentato nell\u2019ambito del progetto PIC \u2013 Patrimonio Industriale Contemporaneo<\/p>
Promosso dal centro Aiku \u2013 Arte Impresa Cultura dell\u2019Universit\u00e0 Ca\u2019 Foscari Venezia<\/p>
Presso \u201cSpazio Legno & Legno\u201d di CREA - Giudecca, 211 - Venezia 
dal 16 marzo al 16 aprile 2023
orari: Ven Sab Dom 11.00\/18.00
Ingresso libero<\/p>
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Foto di copertina: Basilica di Santa Maria Maggiore, Bergamo<\/pre>
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