{"id":51781,"date":"2022-12-22T06:29:26","date_gmt":"2022-12-22T05:29:26","guid":{"rendered":"http:\/\/www.luigi-bevilacqua.com\/sacred-furnishings-vestments-velvets-2\/"},"modified":"2023-03-13T10:26:45","modified_gmt":"2023-03-13T09:26:45","slug":"sacred-furnishings-vestments-velvets","status":"publish","type":"post","link":"https:\/\/www.luigi-bevilacqua.com\/en\/sacred-furnishings-vestments-velvets\/","title":{"rendered":"Velvets for Sacred Furnishings and Vestments"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Intro&#8221; _builder_version=&#8221;4.16&#8243; z_index_tablet=&#8221;500&#8243; text_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; text_text_shadow_vertical_length_tablet=&#8221;0px&#8221; text_text_shadow_blur_strength_tablet=&#8221;1px&#8221; link_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; link_text_shadow_vertical_length_tablet=&#8221;0px&#8221; link_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ul_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ul_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ul_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ol_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ol_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ol_text_shadow_blur_strength_tablet=&#8221;1px&#8221; quote_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; quote_text_shadow_vertical_length_tablet=&#8221;0px&#8221; quote_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_2_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_2_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_2_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_3_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_3_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_3_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_4_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_4_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_4_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_5_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_5_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_5_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_6_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_6_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_6_text_shadow_blur_strength_tablet=&#8221;1px&#8221; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>At the beginning of the 20th century, our Tessitura was awarded a series of important recognitions. Among these were the gold medal at the Brussels Universal Exposition in 1910 and the Grand Prize at the International Exposition of Turin in 1928.<\/p>\n<p>As a result of these awards and the fame gained, fruitful collaborations were born with the Church for the supply of fabrics for both liturgical furnishings and vestments.<\/p>\n<p>Churches, basilicas, convents, and the Vatican itself were embellished with velvets and other precious fabrics by Bevilacqua, to the extent that in 1953 we obtained the title of &#8220;papal supplier&#8221; from Pope Pius XII and, in 1959, from Pope John XXIII.<\/p>\n<p>The iconographic motifs are taken from the past and often mixed in a so-called <em>eclecticism of styles<\/em>. Byzantine, Gothic, Renaissance, Baroque, and Neoclassical designs enter the sacred furnishings, including elements which are typical of early Christian symbolism. We still preserve, in our historical archive, samples of these fabrics, each one rich in history and beauty.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;http:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2010\/07\/Fornitore-pontificio-PioXII.jpg&#8221; alt=&#8221;Certificato Fornitore Pontificio Pio XII | Tessitura Bevilacqua&#8221; title_text=&#8221;Certificato Fornitore Pontificio Pio XII | Tessitura Bevilacqua&#8221; show_in_lightbox=&#8221;on&#8221; align=&#8221;center&#8221; admin_label=&#8221;Certificato Fornitore Pontificio Pio XII | Tessitura Bevilacqua&#8221; _builder_version=&#8221;4.16&#8243; z_index_tablet=&#8221;500&#8243; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;http:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2010\/07\/Fornitore-pontificio-GiovanniXXIII.jpg&#8221; alt=&#8221;Certificato Fornitore Pontificio Giovanni XXIII | Tessitura Bevilacqua&#8221; title_text=&#8221;Certificato Fornitore Pontificio Giovanni XXIII | Tessitura Bevilacqua&#8221; show_in_lightbox=&#8221;on&#8221; align=&#8221;center&#8221; admin_label=&#8221;Certificato Fornitore Pontificio Giovanni XXIII | Tessitura Bevilacqua&#8221; _builder_version=&#8221;4.16&#8243; z_index_tablet=&#8221;500&#8243; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Soprarizzo Velvet for the Abbey of Praglia&#8221; _builder_version=&#8221;4.16&#8243; z_index_tablet=&#8221;500&#8243; text_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; text_text_shadow_vertical_length_tablet=&#8221;0px&#8221; text_text_shadow_blur_strength_tablet=&#8221;1px&#8221; link_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; link_text_shadow_vertical_length_tablet=&#8221;0px&#8221; link_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ul_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ul_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ul_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ol_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ol_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ol_text_shadow_blur_strength_tablet=&#8221;1px&#8221; quote_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; quote_text_shadow_vertical_length_tablet=&#8221;0px&#8221; quote_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_2_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_2_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_2_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_3_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_3_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_3_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_4_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_4_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_4_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_5_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_5_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_5_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_6_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_6_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_6_text_shadow_blur_strength_tablet=&#8221;1px&#8221; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>Soprarizzo Velvet for the Abbey of Praglia<\/h2>\n<p>For the Benedictine monks of the Abbey of Praglia, in the environs of Padua, in 1934 we created a precious silk soprarizzo velvet in ivory color on a gold ground. The decoration, with a 16th-century compositional structure, is filled with traditional elements from the Eucharistic liturgy, harmoniously combined with the coats of arms that identify the patron:<\/p>\n<ul>\n<li>a radiant Paschal lamb represents Jesus in his sacrificial role;<\/li>\n<li>bunches of grapes symbolize the blood of Christ;<\/li>\n<li>an anchor, meaning the firm certainty of faith, with the dolphin, a symbol of salvation because it was believed that dolphins saved sailors from shipwrecks, bringing them up to the surface to let them breathe;<\/li>\n<li>the Eucharistic pelican is the allegory of Christ&#8217;s supreme sacrifice because there was the erroneous belief that adult pelicans tore their chests to feed their chicks with their blood. This reminds us of the blood which came out of the wound on crucified Jesus&#8217;s side, seen as a source of life for mankind;<\/li>\n<li>the papal keys, the symbol of Saint Peter, the first pope, because he was entrusted the keys to Heaven;<\/li>\n<li>two crossed shields, one bearing the double cross, the inscription PAX and three mountains, the symbol of the Benedictine order, and the other with a seven-pointed star, the symbol of the Abbey.<\/li>\n<\/ul>\n<p>A chasuble (the vestment worn by the religious man celebrating mass) made with this velvet was displayed at the International Exhibition of Sacred Art held in Rome in 1934.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;http:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2020\/07\/Soprarizzo-Praglia-3439-ORO.jpg&#8221; alt=&#8221;Velluto soprarizzo oro Abbazia di Praglia | Tessitua Bevilacqua&#8221; title_text=&#8221;Velluto soprarizzo oro Abbazia di Praglia | Tessitua Bevilacqua&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;immagine Velluto soprarizzo oro Abbazia di Praglia | Tessitua Bevilacqua&#8221; _builder_version=&#8221;4.16&#8243; z_index_tablet=&#8221;500&#8243; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;http:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2020\/07\/Soprarizzo-Santa-Giustina-3448-cremisi.jpg&#8221; alt=&#8221;Velluto Soprarizzo Basilica Santa Giustina cremisi | Tessitura Bevilacqua&#8221; title_text=&#8221;Velluto Soprarizzo Santa Giustina cremisi | Tessitura Bevilacqua&#8221; show_in_lightbox=&#8221;on&#8221; align=&#8221;center&#8221; admin_label=&#8221;foto Velluto Soprarizzo Santa Giustina cremisi | Tessitura Bevilacqua&#8221; _builder_version=&#8221;4.16&#8243; height=&#8221;510px&#8221; z_index_tablet=&#8221;500&#8243; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Soprarizzo Velvet for the Basilica of Santa Giustina in Padua&#8221; _builder_version=&#8221;4.16&#8243; z_index_tablet=&#8221;500&#8243; text_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; text_text_shadow_vertical_length_tablet=&#8221;0px&#8221; text_text_shadow_blur_strength_tablet=&#8221;1px&#8221; link_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; link_text_shadow_vertical_length_tablet=&#8221;0px&#8221; link_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ul_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ul_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ul_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ol_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ol_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ol_text_shadow_blur_strength_tablet=&#8221;1px&#8221; quote_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; quote_text_shadow_vertical_length_tablet=&#8221;0px&#8221; quote_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_2_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_2_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_2_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_3_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_3_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_3_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_4_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_4_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_4_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_5_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_5_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_5_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_6_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_6_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_6_text_shadow_blur_strength_tablet=&#8221;1px&#8221; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>Soprarizzo Velvet for the Basilica of Santa Giustina in Padua<\/h2>\n<p>For the Benedictine monks of Santa Giustina church in Padua, is another soprarizzo velvet in crimson silk, created for the presbytery of the basilica in 1934. The mesh compositional structure, given by stems of leaves and pomegranate flowers, enclose the initials of saints venerated in the church. They appear as if carved in relief.<\/p>\n<p>Thus we read the letters &#8220;S.IV&#8221; referring to St. Giustina, &#8220;S.PR\u2070&#8221; for St. Prosdocimo and &#8220;S.LU&#8221;, St. Luke the Evangelist. Note also the initials of St. Benedict Abbot, &#8220;S.BeN&#8221;, founder of the order and the monogram MR, referring to Our Lady. You can also recognize the shield with the double cross, the three mountains and the inscription PAX, the symbol of the Benedictine order.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Vestments for the Greek Pontifical College&#8221; _builder_version=&#8221;4.16&#8243; z_index_tablet=&#8221;500&#8243; text_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; text_text_shadow_vertical_length_tablet=&#8221;0px&#8221; text_text_shadow_blur_strength_tablet=&#8221;1px&#8221; link_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; link_text_shadow_vertical_length_tablet=&#8221;0px&#8221; link_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ul_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ul_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ul_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ol_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ol_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ol_text_shadow_blur_strength_tablet=&#8221;1px&#8221; quote_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; quote_text_shadow_vertical_length_tablet=&#8221;0px&#8221; quote_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_2_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_2_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_2_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_3_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_3_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_3_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_4_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_4_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_4_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_5_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_5_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_5_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_6_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_6_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_6_text_shadow_blur_strength_tablet=&#8221;1px&#8221; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>Vestments for the Greek Pontifical College<\/h2>\n<p>This soprarizzo velvet in olive green silk was commissioned for the vestments of the Greek Pontifical College of Rome in the 1930s. Heraldic and early Christian symbols are inserted on a circular structure, of Medieval inspiration.<\/p>\n<p>Besides the lamb, a symbol of Christ, there is a Greek cross whose arms end with three acorns. Inside the smaller roundels, you can see the coat of arms of Pope Pius XII (1939-1958), who commissioned the fabric, with the papal tiara and keys.<\/p>\n<p>As well as the Franciscan heraldic emblem, with two crossed arms from which stands a Latin cross. The naked arm belongs to Christ while the one dressed in a habit is St. Francis\u2019s. Its meaning is the conformity of Saint Francis to Christ. In the spaces delimited by the circles we can see two doves feeding on bunches of grapes, an expression of the soul that has entered into God&#8217;s peace and participates in the eternal banquet. They are surrounded by branches, indicating the universal Church.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;http:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2010\/07\/C-PIO-XII-500&#215;500-1.jpg&#8221; alt=&#8221;Velluto Soprarizzo Pio XII | Tessitura Bevilacqua&#8221; title_text=&#8221;Velluto Soprarizzo Pio XII | Tessitura Bevilacqua&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;immagine Velluto soprarizzo pio XII&#8221; _builder_version=&#8221;4.16&#8243; z_index_tablet=&#8221;500&#8243; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Other Precious Bevilacqua Fabrics in Italian Churches&#8221; _builder_version=&#8221;4.19.3&#8243; z_index_tablet=&#8221;500&#8243; text_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; text_text_shadow_vertical_length_tablet=&#8221;0px&#8221; text_text_shadow_blur_strength_tablet=&#8221;1px&#8221; link_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; link_text_shadow_vertical_length_tablet=&#8221;0px&#8221; link_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ul_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ul_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ul_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ol_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ol_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ol_text_shadow_blur_strength_tablet=&#8221;1px&#8221; quote_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; quote_text_shadow_vertical_length_tablet=&#8221;0px&#8221; quote_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_2_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_2_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_2_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_3_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_3_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_3_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_4_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_4_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_4_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_5_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_5_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_5_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_6_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_6_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_6_text_shadow_blur_strength_tablet=&#8221;1px&#8221; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>Other Precious Bevilacqua Fabrics in Italian Churches<\/h2>\n<p>There are numerous other examples of fabrics created for the Church that can still be admired today. In Venice, the magnificent\u00a0<a href=\"https:\/\/www.luigi-bevilacqua.com\/en\/colonne-velvet-salute-venice\/\">soprarizzo velvets of the basilica of the\u00a0Madonna della Salute\u00a0<\/a>in red and gold with rococo floral motifs; the splendid\u00a0<a href=\"https:\/\/www.luigi-bevilacqua.com\/en\/san-zulian-venice\/\">multicolored velvets of the church of\u00a0San Zulian<\/a>, characterized by an explosion of naturalistic elements typical of the \u201cJardini\u00e8re\u201d motifs; and the\u00a0<a href=\"https:\/\/www.luigi-bevilacqua.com\/en\/reading-velvets\/\">soprarizzo velvet with a giant sunflower of the church of\u00a0Sant\u2019Alvise<\/a>.<\/p>\n<p>The\u00a0Cathedral of Caorle, a delightful coastal town in the province of Venice, also boasts handwoven velvets, made in the early 40s. It is the\u00a0<a href=\"https:\/\/www.luigi-bevilacqua.com\/en\/project\/soprarizzo-fioroni-velvet\/\">soprarizzo \u201cFioroni\u201d<\/a>, in shades of red and gold with floral elements of baroque inspiration, another example of <em>Jardini\u00e9re<\/em> pattern that spread in the 17th century, when weaving techniques allowed for the creation of motifs extremely rich in details and colors and that today also adorn Italian churches.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_gallery gallery_ids=&#8221;35372,35421,35425,35429,47550&#8243; fullwidth=&#8221;on&#8221; admin_label=&#8221;immagini duomo caorle&#8221; _builder_version=&#8221;4.19.3&#8243; _module_preset=&#8221;default&#8221; text_orientation=&#8221;center&#8221; max_width=&#8221;500px&#8221; module_alignment=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_gallery][et_pb_text admin_label=&#8221;didascalia&#8221; _builder_version=&#8221;4.19.3&#8243; text_font=&#8221;||on||&#8221; text_font_size=&#8221;12&#8243; background_color=&#8221;rgba(218,221,221,0.52)&#8221; text_orientation=&#8221;center&#8221; max_width=&#8221;500px&#8221; module_alignment=&#8221;center&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Cathedral of Caorle &#8211; Image Gallery<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Other Precious Bevilacqua Fabrics in Italian Churches&#8221; _builder_version=&#8221;4.19.3&#8243; z_index_tablet=&#8221;500&#8243; text_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; text_text_shadow_vertical_length_tablet=&#8221;0px&#8221; text_text_shadow_blur_strength_tablet=&#8221;1px&#8221; link_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; link_text_shadow_vertical_length_tablet=&#8221;0px&#8221; link_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ul_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ul_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ul_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ol_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ol_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ol_text_shadow_blur_strength_tablet=&#8221;1px&#8221; quote_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; quote_text_shadow_vertical_length_tablet=&#8221;0px&#8221; quote_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_2_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_2_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_2_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_3_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_3_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_3_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_4_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_4_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_4_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_5_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_5_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_5_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_6_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_6_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_6_text_shadow_blur_strength_tablet=&#8221;1px&#8221; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>The <strong>Basilica of Santa Maria Maggiore in Bergamo<\/strong> treasures one of our velvets too. This splendid church, whose construction began in 1137 and features Romanesque structures and Baroque overlays, is adorned with red velvet drapes on the antependium of the main altar and on the two side pulpits during the Christmas season celebrations. This velvet is called\u00a0<a href=\"https:\/\/www.luigi-bevilacqua.com\/en\/project\/leoni-bizantini-velvet\/\">Leoni Bizantini<\/a> and the color is pomegranate. The motif of this fabric depicts two lions guarding the tree of life, a symbol that spans many religions and cultures. The presence of this velvet reflects the connection between the Basilica of Santa Maria Maggiore and Venice. Venetian art and textiles are well incorporated into the artistic and liturgical context of the basilica.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_gallery gallery_ids=&#8221;47578,47566,47574,47570,47562,47711,47558&#8243; fullwidth=&#8221;on&#8221; admin_label=&#8221;immagini basilica bergamo&#8221; _builder_version=&#8221;4.19.3&#8243; _module_preset=&#8221;default&#8221; text_orientation=&#8221;center&#8221; max_width=&#8221;500px&#8221; module_alignment=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_gallery][et_pb_text admin_label=&#8221;didascalia&#8221; _builder_version=&#8221;4.19.3&#8243; text_font=&#8221;||on||&#8221; text_font_size=&#8221;12&#8243; background_color=&#8221;rgba(218,221,221,0.52)&#8221; text_orientation=&#8221;center&#8221; max_width=&#8221;500px&#8221; module_alignment=&#8221;center&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Basilica of Santa Maria Maggiore in Bergamo &#8211; Image Gallery<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Foto di copertina: s.m.maggiore bergamo&#8221; _builder_version=&#8221;4.19.3&#8243; _module_preset=&#8221;default&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<pre>Cover Photo: Basilica of Santa Maria Maggiore - Bergamo, Italy<\/pre>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n<span class=\"et_bloom_bottom_trigger\"><\/span>","protected":false},"excerpt":{"rendered":"<p>Discover some of the most beautiful velvets commissioned by the Church to our Tessitura, and the hidden meaning in their patterns.<\/p>\n","protected":false},"author":10,"featured_media":52563,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4,285],"tags":[],"class_list":["post-51781","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fabrics","category-projects"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Velvets for Sacred Furnishings and Vestments<\/title>\n<meta name=\"description\" content=\"Discover some of the most beautiful velvets commissioned by the Church to our Tessitura, and the hidden meaning in their patterns.\" \/>\n<meta name=\"robots\" content=\"noindex, nofollow\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The furnishing velvets of the Sant\u2019Alvise church in Venice\" \/>\n<meta property=\"og:description\" content=\"What do the flowers on the velvet used in Sant\u2019Alvise mean? We\u2019ll unveil the secrets behind this fabric and this church in Venice in this article\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.luigi-bevilacqua.com\/en\/sacred-furnishings-vestments-velvets\/\" \/>\n<meta property=\"og:site_name\" content=\"Tessitura Luigi Bevilaqua\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/TessituraLuigiBevilacqua\" \/>\n<meta property=\"article:published_time\" content=\"2022-12-22T05:29:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-13T09:26:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.luigi-bevilacqua.com\/wp-content\/uploads\/2018\/01\/Velluto-a-mano-Produzione-4.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1080\" \/>\n\t<meta property=\"og:image:height\" content=\"608\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Laura Fuser\" \/>\n<script type=\"application\/ld+json\" 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