{"id":407,"date":"2014-03-25T10:06:27","date_gmt":"2014-03-25T10:06:27","guid":{"rendered":"http:\/\/www.luigi-bevilacqua.com\/news\/?p=407"},"modified":"2015-02-12T16:52:45","modified_gmt":"2015-02-12T16:52:45","slug":"sorry-room-lagoon","status":"publish","type":"post","link":"https:\/\/www.luigi-bevilacqua.com\/en\/sorry-room-lagoon\/","title":{"rendered":"Sorry, no more room in the lagoon!"},"content":{"rendered":"<p>Fishes out of water. And this time literally. These were the protagonists of the exhibit by Annapaola Cibin, entitled <em><strong>No more room in the lagoon<\/strong><\/em>, during the summer of 2013. The lagoon is, of course, Venice\u2019s, whose fishes swam above one of the palaces along the Grand Canal. Or rather flew, and the terrace was the one on top of Bevilacqua\u2019s weaving mill.<\/p>\n<h3>Annapaola Cibin\u2019s art<\/h3>\n<p>After studying art, with a specialization in weaving, in Italy and England, Annapaola Cibin returned to Venice, where she started collaborating with <strong>Murano\u2019s glass masters<\/strong>. And this experience led her to the discovery of the opportunities offered by this material, as well as of a chance for glass to meet fabrics.<\/p>\n<p>Since 1997 her textile art has been enriched with a new technique: <strong>painting on velvet<\/strong>, on the one hand, drawing on the old Venetian tradition of painted tapestry and, on the other hand, adding her own personal touch to tradition, by inserting gold- and silver-leaf decorations and Venetian-glass elements.<\/p>\n<div id=\"attachment_405\" style=\"width: 682px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.luigi-bevilacqua.com\/\/wp-content\/uploads\/2014\/03\/No-more-room672x3721.jpg\"><img decoding=\"async\" aria-describedby=\"caption-attachment-405\" class=\" wp-image-405 \" title=\"No more room in the lagoon at Bevilacqua's | Tessitura Bevilacqua\" src=\"http:\/\/www.luigi-bevilacqua.com\/\/wp-content\/uploads\/2014\/03\/No-more-room672x3721.jpg\" alt=\"Luxury velvets of No more room in the lagoon | Tessitura Bevilacqua\" width=\"672\" height=\"372\" \/><\/a><p id=\"caption-attachment-405\" class=\"wp-caption-text\">A detail of the exhibit<\/p><\/div>\n<p>But dying and painting on velvet is no easy process, due to its pile, which can hardly hold colour: this is why the fishes on Bevilacqua\u2019s terrace, too, were the result of a long handiwork.<\/p>\n<h3>Luxury velvets\u2026 in the shape of fishes<\/h3>\n<div id=\"attachment_402\" style=\"width: 291px\" class=\"wp-caption alignleft\"><img decoding=\"async\" aria-describedby=\"caption-attachment-402\" class=\"size-medium wp-image-402 \" src=\"http:\/\/www.luigi-bevilacqua.com\/\/wp-content\/uploads\/2014\/03\/No-more-room349x372-281x3001.jpg\" alt=\"Annapaola Cibin's exhibition in 2013 | Tessitura Bevilacqua\" width=\"281\" height=\"300\" \/><p id=\"caption-attachment-402\" class=\"wp-caption-text\">Annapaola Cibin&#8217;s fishes above Bevilacqua&#8217;s weaving mill by night<\/p><\/div>\n<p>If Venice\u2019s lagoon is overcrowded, its <strong>fishes<\/strong> start colonising the roofs of its houses: as a consequence, from May 30th, 2013, while going along or on the Grand Canal you would have happened to see 14 giant and multicoloured fishes swimming above the weaving mill in Sestiere Santa Croce. By day and by night, given that the coloured lights made them visible even in the dark.<\/p>\n<p>Annapaola Cibin has therefore succeeded in using luxury velvets to realise \u201csculptures\u201d made of fabrics, thus shifting the fishes enlivening her tapestry from the 2D world to the 3D one. Moreover, while on the tapestry <strong>brightness<\/strong> is given by the pile itself of the velvet, which is indeed characterised by brilliance and a changing surface, the fishes of <a title=\"Annapaola Cibin - Exhibitions\" href=\"https:\/\/www.annapaolacibin.it\/site\/esposizioni.php?site=1&amp;lang=2\" target=\"_blank\"><em>No more room in the lagoon<\/em><\/a> can count on the Grand Canal for the shimmers of Sun reflecting on water.<\/p>\n<span class=\"et_bloom_bottom_trigger\"><\/span>","protected":false},"excerpt":{"rendered":"<p>Annapaola Cibin\u2019s installation on the roof of Luigi Bevilacqua\u2019s weaving mill is made up of fishes in painted luxury velvets<\/p>\n","protected":false},"author":3,"featured_media":1606,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[22],"tags":[],"class_list":["post-407","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-collaborations"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The luxury velvets used for Annapaola Cibin\u2019s fishes<\/title>\n<meta name=\"description\" content=\"Annapaola Cibin\u2019s installation on the roof of Luigi Bevilacqua\u2019s weaving mill is made up of fishes in painted luxury velvets\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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